Dear Reader:

The inspiration for Nefertiti: A Novel began with the PBS television program Reading Rainbow. I was eight years old when the program featured a children’s book about dinosaurs. On the screen, a group of school children were huddled around a dinosaur bone, dressed in khakis and safari hats. They were squatting over a gigantic femur and tenderly cleaning off the dirt with their brushes. “That’s what I want to do,” I announced, and when my mother signed me up for a children’s course in paleontology at the Natural History Museum, I knew I wanted to join a dig someday.

Twelve years later I found myself sitting in Anthropology 101, and when the professor mentioned that she was looking for volunteers who would like to join a dig in Israel, I practically trampled the other students in my haste. Visions of artifacts danced in my head. After all, it was Israel, and who knew what we might find? For the three weeks before the orientation meeting, I agonized over exactly what I should bring. Shorts, of course, and heavy boots. But what about brushes? Were there special brushes that archaeologists used, or would the ones from Home Depot be okay? I finally settled on brushes from Home Depot, and when it came time for packing, I lovingly placed them in protective wrap and imagined all the priceless artifacts they’d soon be dusting.

When I landed in Israel, I unpacked my brushes and laced up my boots. I didn’t have a safari hat, but I already felt like Josh Bernstein and I was ready to Dig Up Some Truth. We arrived at the dig site, and our team leader walked to the back of his van. I watched enthusiastically as he unloaded twenty pickaxes. When he began passing them out to the volunteers, however, I became concerned. They’ve mistaken me for someone else, I panicked, someone who’s signed up to dig ditches instead of brushing delicate femurs.

“What is this?” I asked him.

“A pickaxe,” he said. “You’ll be digging six feet by ten.” When he saw the shock on my face, he frowned. “You knew that, didn’t you?”

For weeks we dug ditches, shoveling dirt into wheelbarrows and hauling the barrels of dirt down a hill. I lost ten pounds and gained serious muscle. And I never did get to use my brush. Only seasoned archaeologists were allowed to do the delicate work. But when our team discovered an Egyptian scarab that proved the ancient Israelites had once traded with Egyptians, I began to wonder who had owned that scarab, and what had possessed them to undertake the long journey north from their homeland to the fledgling country of Israel.

On my flight back to America I stopped in Berlin, and with a newfound appreciation for Egyptology, I visited the museum where Nefertiti’s limestone bust was being housed. The graceful curve of Nefertiti’s neck, her arched brows, and the faintest hint of a smile were captivating to me. Who was this woman with her self-possessed gaze and stunning features? I wanted to know more about Nefertiti’s story. But when I began the research into her life, it proved incredibly difficult. She’d been a woman who’d inspired powerful emotions when she lived over three thousand years ago, and those who had despised her had attempted to erase her name from history. Yet even in the face of such vengeance, some clues remained.

As a young girl Nefertiti had married a Pharaoh who was determined to erase the gods of Egypt and replace them with a sun-god he called Aten. It seemed that her family allowed her to marry this impetuous king in the hopes that she could tame his wild ambitions. What happened, instead, was that she joined him in building his own capital of Amarna, where they ruled together as god and goddess. But the alluring Nefertiti had a sister who seemed to keep her grounded, and in an image of her found in Amarna the sister is standing off to one side, her arms down while everyone else is enthusiastically embracing Aten and praising the royal couple. From this image, and a wealth of other evidence, I tried to recreate the epic life of an Egyptian queen whose husband was to become known as The Heretic King.

Writing the novel took years of research. I wanted to be sure that when I wrote Nefertiti I was extremely accurate, down to the color of the palace tiles and shape of the women’s beads. At the same time, however, I wanted to be careful not to weigh the story down in too much detail. There needed to be the same sense of urgency, danger and passion as filled Nefertiti’s days when she lived. In striking that balance, I hope that Nefertiti brings to life the same beauty and mystery I found, looking across the centuries, into the queen of Egypt’s gaze.

Feel free to visit www.michellemoran.com  to watch a brand new video trailer for Nefertiti: A Novel, or enter the hieroglyphics contest to win Nefertiti jewelry!

Michelle Moran

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